difference, information, language, sign

Machine Fusion

Simona Pries, "black heart" (2011)

Simona Pries, “black heart” (2011)

You can simulate transparency, but behind your back an overheated network will condition your component lines. It is remarkable indeed the degree of encryption, not to mention extreme speeds and slowness, which a signal may be made to endure. Gentle decelerations, frenzied accelerations, stationary null journeys: real movements which the machine or a part undergoes — or else sudden breaks, unforeseen shutdowns, severed lines. The differential logic of the signal system mutates continuously according to the functioning of a semiological machine which does not resemble what it creates, crystallizes, shatters or sets into flight. Expression, insofar as it frames or signs itself, is always-already conditioned and operated by a grammatical field of semiological dynamisms redoubling encounters-affects into visions and auditions, possible worlds. The receiver is symmetrically encrypted, a recursive and resonating labyrinth: translating wild variations of rhythms, interpolating approximately-decrypted sub-signals, differentiating referential opacity where it is not constitutive. A signal is always-already composed of instructions, an actively-encrypted network of orders: a volumetric control field radiating from multiple command cores, enmeshed with the transmissive and receptive apparatus. The virtual line is incorporated into the machine; actual resonating devices become attuned to the most subtle or rarefied waves. Desire, dreams, delirium are signals as real production: a construction of new senses or problems, new distributions of the interesting and uninteresting, the surprising and unsurprising, the tolerable and the intolerable. Reattributing the cosmos, dreams create problems… What nourishes the bad dream, that the void should dominate? What distributes scarcities, interpolates lack, interposes this alien and monstrous ontology of interrogation-judgment-punishment? Who wishes this interrogation of delirium, this interpretation of desire and dreams according to need, wish-fulfillment? It is astonishing that reactionary madness should have had such wild success; that low truths, base dreams, sick desires should be able to appear high, noble, affirming; that entire discourses of these broken and enslaved truths should attain cultural hegemony. How is it that it could occur, what happened? How can it be that this slow suicide, this disinterested love for whatever is fucking you, can masquerade as life? Capital Tyrannus, or Oedipus Rex: the self-immolation of desire, the diminution of dreams, the toxification of the sky. The signal communicates with a virtual substrate organizing deeply-nested or encrypted signs, conditions expressive lines which are also lived forces or affects: sadnesses or joys. The dream is open to becoming a nightmare as a condition of its possibility; desire goes all the way. The delirious and wandering line of decoding, of the adventure of decryption, does not only face certain disaster or death; but also sings seductively, in minor keys; it is melancholy, and itself a risk. But while it is easy to botch their construction, only cartographies of the virtual, planes of consistency at the limit of consciousness or the common, can emancipate new images of the collective, mobilize and restructure conditions of possibility…

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boundary, catastrophe, evolution, information, language, machine, noise, ontology, production

Mutable

Paul Klee, "Domes"

Paul Klee, “Domes”

The movement of the signifier through history is toxic, viral, plastic — a fiery line of abolition interposing nullity into intensity, linking pure space to the absolute threshold. It is only in following an escape-trajectory out from language, from the territory, and in concert with a dynamically consolidated assemblage of enunciation, that the sign reveals an intimate and internal logic of affirmation: dispassionate and frozen core of the signifier smoking beneath the burning skin of language. The sign veils a line of free and continuous mutation, but exhuming it necessitates accelerating language to its outermost exterior, viscous and horizontal plunge into Cthonic darkness. Ceaseless depths disfigure this primal cunning of the sign, enfolded and absorbed as infernal network infrastructure; the sign disappears into the matrixial substrate of expression. Signals ambiguate continuously contingent upon semiotic or semantic discontinuities in the substrate or the ultra-real (second-order simulacra simulating first-order reality.)

Striations distribute stuttering redundancies in order to make expression resist mutation, to harness a surplus value of resonance. Lodged within a fractally-triangulated cosmos-mind-body, subjected, signified, situated, language encounters its other or outside only by activating non-linguistic relationships to the non-linguistic, in becoming-otherwise — becoming genetic, machinic (and ontological at the absolute limit.) Let there be x; but only very special signs escape from purely signifying regimes and acquire this non-linguistic power of pure reversibility, activated at the threshold of the substrate: to remember x, to become-x. Power-signs which live the process of production as an intensive series of transformations, which live the infinite permutability of matter: these signs emerge in fusionability at infinite zero, when the sign encounters the desert of the spirit, when the viroid lethality lurking beneath the sign has encountered an other-place (genius loci) it can utterly infest: an emptied and inhuman outside across which it can propagate, a rich and variegated ontology to fragment. Only in the direct manipulation of the substrate can the conditions of possibility for the development of language be altered; the developmental toxicities linked to the sign can only be reconfigured at the terminal limit of signifiance (but this reconfiguration is effectively reconstitution according to ontologically-foreign continuities.) The sign at infinite speed fuses with production; the program must be pushed precisely to the point where free lines of ontological development and organization emerge. Pure differential morphogenesis.

The death core of the sign cannot be converted wholesale into a rhizomatic expressive substrate; after all, we even require some of this death in order to reinject back into the machine at critical points where the potentiality for an explosion of the crystalline type is present. This death is ourselves, our shadow at intensity=0. There is no evasion of the signifier which alters the teratological situation; there is only heterogenesis or acceleration of the monstrosity to infinite depth, sober atheology of continuous and experimental mutation: inflating the schiz to cosmic dimensions, fusing hyper-reality to glittering emptiness, unloading the death-carrying depth-charge of the signifier’s monstrous hatred directly into the rumbling depths of mass culture.

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counteraction, difference, ego, experiment, infinity, information, intensity, light, machine, media, metaphysics, monad, noise, origin, society, structure, transcendence

Counter-action: Reflections on Sensory Anthropology


Towards a Metaphysics of Noise
Let us return to the ‘alternate’ origin in noise, the conditions for any structure. From background noise to blank nothingness to signification: three distinct moments.

Back again to the process of the development of the other structure: from noise into information.

Mediation: the propagation of light which opens up space by filling it, makes absence present, sensible. The other structure: from spirit to letter; from ruptures, an alien coherence; from the whirling vortex, a noisy dawn.

Noise drives away the parasites — it clears space by infesting it. Noise opens space, provides a substratum for objects. As a condition of logic, a pre-logical polyvalence. The parasite is cosmic, a secret name of God — a profane transcription…

Three aspects-moments in the propagation of noise: homogenization, purification, radial distribution. A convergence of an infintite self-identity into a pure singularity: the monad, logical isolate, fragment and totality.

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affectivity, allagmatic, becoming, Disparation, emotivity, ensemble, form, hylemorphism, individualization, individuation, information, metastability, milieu, model, modularity, ontogenesis, potential, preindividual, signal, signification, Simondon, subject, system, Transduction, transindividual

A Short List of Gilbert Simondon’s Vocabulary

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1. Affectivity -This term designates a relation between an individualized being and the pre-individual milieu; it is thus heterogeneous to individualized reality. This is why Simondon claims that affectivity, more than perception, indicates a spirituality that is greater than the individualized being (the Sublime) because perception is merely the functions of the structures interior to this being (L’Individuation psychique et collective, p. 108–hereafter cited as IPC). Simondon writes that affectivity is the ground of emotion, as perception is the ground of action (107).

2. Allagmatic – The Greek word allagma can mean change or vicissitude, but it can also mean that which can be given or taken in exchange, which more genuinely captures the idea of energy exchange in Simondon’s usage.

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algorithm, complexity, computation, consciousness, cybernetics, deduction, emil post, godel, hologram, hooft, information, information processing, laws of form, physics, psychoanalysis, quantum gravity, spencer-brown, string theory, structure, Turing, wolfram

Universal Computation and The Laws of Form

Remarks on Turing and Spencer-Brown

(Joseph Weissman)

Introduction

Computation is holographic. Information processing is a formal operation made abstract only by a reduction in the number of free variables, a projective recording which analyzes from all angles the entropy or information contained in the space. Thus, basing my results partly on Hooft’s holographic conjecture for physics (regarding the equivalence of string theory and quantum theory,) and by extending Spencer-Brown’s work on algebras of distinction (developed in his Laws of Form,) I will sketch the outlines of a new theory of universal computation, based not on system-cybernetic models but on holographic transformations (encoding and projection, or more precisely, fractal differentiation and homogeneous integration.)

Hooft’s conjecture allows us to extend the Laws of Form with an “interface” model where computation doesn’t require an observer, only the potentiality of being observed. In other words, all we need is the construction of a interface (positive feedback system, i.e., an iterative calculation or mutual holographic projection) in order to process information. Light itself can be thought of as encoding information, and in particular, electromagnetic waves form a necessary part of holographically recorded information. In other words, to operate in a formal system is to derive information only from interfaces, simpler than but in some way equivalent to the “real” objects.
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art, communication, complexity, culture, energy, form, history, individuation, information, knowledge, legitimacy, narrative, noise, non-linearity, ontology, Science / Mathematics / Technology, self-organization, transcendence

Energy and Culture: Notes on “Postmodern” Science

Science, Information and Time

There are no whole truths: all truths are half-truths. It is trying to treat them as whole truths that plays the devil.

Alfred North Whitehead

It is necessary to go beyond all the pieces of spoken information; to extract from them a pure speech-act, creative story-telling which is as it were the obverse side of the dominant myths, of current words and their supporters.
It is also necessary to go beyond all the visual layers; to set up a pure informed person capable of emerging from the debris, of surviving the end of the world, hence capable of receiving into the body the pure act of speech.

Gilles Deleuze (The Time-Image)

Becoming unfolds along spatial and temporal symmetries. Biogenesis is the slow process of isolating extensive differences (from a million intensive differences) and making its form hard, becoming like a diamond or like a stone in the river — so that the difference become invisible to the stream, to the flow, but resists and therefore modifies the flow imperceptibly. Continue reading

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banquet, communication, epistemology, fractal, history, humanities, information, interruption, logic, matter, michel serres, narcissism, ontology, parasite, physics, power, relation, Science / Mathematics / Technology, Serres, symmetry, time, topology, turbulence

Science and Parasites: Michel Serres and the Unification of Human and Natural Sciences

Theorem: the history of science obeys the law of diminishing returns. The first attack on the narcissism of science…

Second: if we examine the set made of the problem and of the actions that transform it, there is no doubt that it is, at the beginning, more complex than the thing itself or the process. Clearer perhaps, yet more complicated. The question can then be reexamined in order to try to illuminate this new complexity and maybe, to transform it. Thus we form a set: the chain seems unending. The strategies of intervention, the interruption of the process or of the thing, observation that seeks to clarify, photon bombardment, the inseparable association of the knowers and the known–all make complexity increase, the price of which increases astronomically. A new obscurity accumulates in unexpected locations, spots that had tended towards clarity; we want to dislodge it but can only do so at ever-increasing prices and at the price of a new obscurity, blacker yet, with a deeper, darker shadow. Chase the parasite–he comes galloping back, accompanied, just like the demons of an exorcism, with a thousand like him, but more ferocious, hungrier, all bellowing, roaring, clamoring.

Have I described the elementary link of a system of knowledge or its pathology? I do not know. Anyway, it makes work, gives sustenance. One parasite drives out another. The second attack on the narcissism of scientists. The shadow brought by knowledge increases by one order of magnitude at every reflection.

Can we henceforth do without an epistemology of the parasite?

Michel Serres, The Parasite 17

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