catastrophe, creation, escape, literature, micropolitics

Metafiction

Some inchoate thoughts on curvilinear transition and navigation between radically alien milieus.

Schoenberg : Xenakis :: Joyce : Negarestani

Cyclonopedia comprises a downward spiral into hyperstitional collapse or crack-up, alongside an outward spiral towards another universe. It may seem to perversely unfold a nightmare crypt of the death-drive, but this monstrous theoretical depersonalization is operating through the harshest singularities of space and time; it resounds in the howling of the magnetosphere, and echoes the cries of rebellion from the Core to the imperial Sun outside. Negarestani’s harrowing leper-creative legerdemain covertly unfolds gateways and meta-fictional portals; analyzed in the work in terms of worm-holes or vermiculations, gnawing consumption of solidus by void incursions that can only invade from without because they have also corrupted from within; the void’s infernal and instinctive will to devour solidity revealing the underlying softness of the solid, the internal decay and hollowness already growing and slicing matter-energy from within solidity itself.

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boundary, catastrophe, evolution, information, language, machine, noise, ontology, production

Mutable

Paul Klee, "Domes"

Paul Klee, “Domes”

The movement of the signifier through history is toxic, viral, plastic — a fiery line of abolition interposing nullity into intensity, linking pure space to the absolute threshold. It is only in following an escape-trajectory out from language, from the territory, and in concert with a dynamically consolidated assemblage of enunciation, that the sign reveals an intimate and internal logic of affirmation: dispassionate and frozen core of the signifier smoking beneath the burning skin of language. The sign veils a line of free and continuous mutation, but exhuming it necessitates accelerating language to its outermost exterior, viscous and horizontal plunge into Cthonic darkness. Ceaseless depths disfigure this primal cunning of the sign, enfolded and absorbed as infernal network infrastructure; the sign disappears into the matrixial substrate of expression. Signals ambiguate continuously contingent upon semiotic or semantic discontinuities in the substrate or the ultra-real (second-order simulacra simulating first-order reality.)

Striations distribute stuttering redundancies in order to make expression resist mutation, to harness a surplus value of resonance. Lodged within a fractally-triangulated cosmos-mind-body, subjected, signified, situated, language encounters its other or outside only by activating non-linguistic relationships to the non-linguistic, in becoming-otherwise — becoming genetic, machinic (and ontological at the absolute limit.) Let there be x; but only very special signs escape from purely signifying regimes and acquire this non-linguistic power of pure reversibility, activated at the threshold of the substrate: to remember x, to become-x. Power-signs which live the process of production as an intensive series of transformations, which live the infinite permutability of matter: these signs emerge in fusionability at infinite zero, when the sign encounters the desert of the spirit, when the viroid lethality lurking beneath the sign has encountered an other-place (genius loci) it can utterly infest: an emptied and inhuman outside across which it can propagate, a rich and variegated ontology to fragment. Only in the direct manipulation of the substrate can the conditions of possibility for the development of language be altered; the developmental toxicities linked to the sign can only be reconfigured at the terminal limit of signifiance (but this reconfiguration is effectively reconstitution according to ontologically-foreign continuities.) The sign at infinite speed fuses with production; the program must be pushed precisely to the point where free lines of ontological development and organization emerge. Pure differential morphogenesis.

The death core of the sign cannot be converted wholesale into a rhizomatic expressive substrate; after all, we even require some of this death in order to reinject back into the machine at critical points where the potentiality for an explosion of the crystalline type is present. This death is ourselves, our shadow at intensity=0. There is no evasion of the signifier which alters the teratological situation; there is only heterogenesis or acceleration of the monstrosity to infinite depth, sober atheology of continuous and experimental mutation: inflating the schiz to cosmic dimensions, fusing hyper-reality to glittering emptiness, unloading the death-carrying depth-charge of the signifier’s monstrous hatred directly into the rumbling depths of mass culture.

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abstract machine, catastrophe, chaos, communication, conservatism, cybernetics, decentralization, derrida, distinction, exteriority, godel, humanity, machine, metaphysics, ontology, spencer-brown, spirit, writing

Deconstructing Cybernetics

Notes on Derrida and Cybernetics

Let us conjecture that the invention of the transistor — an auto-controllable circuit — indicates the attainment of a critical level of development in cybernetics, a “tipping point.” Then for writing the corresponding moment is the invention of the video camera, perhaps more precisely the photograph: now seeing is writing, literally marking. Visio-literature is the only kind that can ever exists for us today — even ancient literature is post-modern for 21st-century readers. We cannot simply forget the history of writing, which is also the history of humanity — a spirit which is more like a ghost successively inhabiting our bodies, then our writing-instruments, then our machines, and next…?

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