axiom, form, image, multiplicity, noise, ontology, parasite, real, spirit, theory, writing

Syntax

 

 

The actual trace or cutting edge of theory is a veritable penetration into reality, not a moment but a certain force or intensity of thought which maintains its position in relationship to the real (understood as the indeterminate gap between syntax and spirit, or between an axiom and the imaginative power which both conditions and evades its’ grammar.) Reality and image, disjoint but co-present, conjoined only asymmetrically at specific suture points of flux: a coiled loop of time.

This self-interrupting dimorph-system, the ‘formal’ figure of the parasite, is a property of not only every formal system but of formality itself, of the very essence of form; it undermines and coerces the event of transformation itself, as only a symptom of fate, of time. A feeling or noise which never goes away, and then suddenly disappears one day, for no reason at all — an inconsistent multiplicity, an ocean of light, a body. A writing which without being written is beyond any form, a language which without being spoken is beyond any thought. This disjunction is contact which provokes a co-evolution, an involution of every event, every moment into a single moment which effaces them.

Thought captures the self-effacing movement of the mark through a penetration or disjunction, a contact without resolution. The becoming-formal of the indeterminate displaces syntax itself: a rupture which no set of axioms, or finite set of symbols, could encompass or comprehend. This ideal object evades finite inference. No axiom grounds infinite inference, no formal system dividing propositions into nonsense and sound judgments distinguishes its subtle grammar, only constituted within this improbable trajectory from noise to sound, from sound to voice, from voice to light. A parasitic evolution which proceeds from multiplicity and marches towards the empty, the open, the blank, the possible. 

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depth, disorder, dream, language, Plato, space, story, surface, theory, time

Ratio

 

Between science’s eternal youth, forever sprouting green shoots, and the crumbling timelessness of art’s old age, there may yet emerge a new, a third kind of time, a crossing between the unique and universal which could bestow a new measure. 

The dream is young, the awakening ancient. 

Between the transformation and the formula, in the middle of the two shores of language, a glittering goal which shifts along with us, a nearly-invisible position which threatens to forever slip between the stories and theories into the depths. 

Between itself and itself, the earth is always the story — the only one we can remember or tell, that is, the one we are — this dream, and this awakening.

On the surface, the two series don’t align, cracks burst throughout the volume. A map of hidden tensions is revealed. The lines don’t originate from a central point. They swerve and intersect madly, though they may sometimes seem parallel. 

It is only in the depths, where mixtures reign, that all is equilibrium — a transcendental immanence. All impossibilities are nullified by a smooth consistency of oscillation, a balance without ratio. All formulas, and none. 

Perfect peace, though it may sometimes seem chaotic. 

And between the surface and the depth, an interval, the third space: the profound Being of depth crossed with the mad beings of the surface — a plague or a prophecy? 

Even now, I still do not know. 

The law of bifurcation rules the depths of the sea, of the skies, and of time. Everything is reversible. It is a lesson found in the most ancient books, the law of the parasite, whose tiny silver thread always manages to cross the borderline. 

The least can become the greatest: everything can become nothing, and nothing — everything. 

Thus, upon the surface, reversibility gives way to the irreversible. The law of anarchy, of entropy, rules the surface — a kind of royal madness which sets about organizing chaos, even creating complexity to maximize disorder. Time itself expresses this blistering of the surface, the irreversibility of creation. 

Finally, there could be no formal law for the space in between, spoken of even less than the depths and repressed by the surface-depth system — another wisp of Plato’s ghost. Yet it would be that ratio whose reason was precisely pure love, or humility — the meaning, and perhaps the very reality of humanity.

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alterity, concept, critique, ethics, infinity, language, metaphysics, morality, ontology, Politics, power, production, theory, time

Temporality and Power: The Politics of Absence

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In the relation of the human being to language, a process is reflected that extends to the relation of the human being to beings in general: The scientific knowledge has become the standard knowledge! The other: thinking, spirit of language, history, culture is still there, yet dragged along into a certain indeterminateness.

It is decisive that the consciousness was lost as to where this other belongs and of what kind must the reflection be in order to still experience it essentially.

Martin Heidegger, On the Essence of Language

One is substituted for another. The Other is already a replacement: stood in front of, signified for, stereotyped, “represented.” Always already excluded. Alterity is secrecy, criminal, “terrorist.” The other is an unsurface, continuously fragmenting, always already a mute revelation of presence-within-absence, an irruption of pure expressivity conveying without mediation the disunity constitutive of production. A signal which effaces itself, fracturing identity and imploding the non-position at the heart or essence of expression.

The degradation of the other in (through) writing, even through speaking itself and in what is before speaking, in the materiality of the saying and in the voice, already in the other’s cry of pain or even the internal distance wherein I myself become alien, become other before my own suffering and “involuntary” reactions — all these complicate an analysis into alterity, into the other nature of space. The politics of alterity, of absence, the comprehension of the place of the other, takes place outside of our dialogical place-together, outside the infinity of our interconnection. Politics operates not in but as a finite emptiness, a literal or material void which is applied to society like the one-sided edge of a surgical knife.

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actualization, artificial intelligence, behavior, being, cinema, cybernetics, drama, existence, image, interactivity, interface, language, one, reverie, story, theory

Literary Machines: Between Drama and Artificial Intelligence


Insofar as it tends towards a studied negation (or counter-actualization) of our numb existence, endlessly dramatizing the existential narrative of escape, contemporary cinema conveys an intense and disturbing truth about modern reality. It is not just the easy and everyday dissociation that life is a movie, but more surprisingly, that movies have become indistinguishable from our real lives. Drama is not merely a terrifying absence, simply the dissolution of the synchrony of the One, but an enigma even more puzzling still– the cinematographic interface is already an incontrovertible diachrony, a renegade communication across an abyss of broken myth. Cinema: the art of time turned in upon itself. The surface story splits the world in Two, by drawing a sacred circle (or rectangle) in which larval intensities can escape from their segmented order of time (or space.) Images transcend history.

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certainty, chaos, complexity, creative, decay, ontology, Science / Mathematics / Technology, space, structure, symmetry, theory, time, universe

Symmetry within Chaos: On Science and Difference

Symmetric Relations

A scientific theory classifies phenomena based on a universal set of structural relationships. Experiments and theories which deserve the name scientific thus share a coherent set of properties. First, they are systematic, meaning that phenomena as presented possess certain structural or virtual unities despite actual or potential diversities. A fully systematic theory is also complete in that nothing is arbitrarily left out of the universe of discourse.

Events, spaces and processes are presented as approximating a mode of relation which is in every case either symmetrical or complementary, and possibly even transitive (symmetrical and complementary.) Consider the relation between two inter-connected processes A and B. A symmetric relationship could be as follows: A exhibits behavior x when B exhibits behavior x, and A exhibits behavior y when B exhibits behavior y. Complementary relations, on the other hand, could be (for example): A exhibits x when B exhibits y, and A exhibits y when B exhibits x. Complementary relations are characterized by a disjoint or heterogeneous symmetry which distinguishes them from the smooth or homogenous symmetries of the first type of relation.
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abstract machine, biology, cybernetics, form, information, model, ontology, structure, system, theory

Machinic Autopoesis

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Process

In Mechanism and Biological Explanation [Maturana 1970], Humberto Maturana and Francisco Varela argue that machines and biological forms are very closely related — so closely, in fact, that biologists can reasonably claim living systems are machines. This is not meant merely as a pedagogical metaphor, but rather as a rigorous analogy, which emphasizes important symmetries, and even better, expresses concisely specific experimental and theoretical aims. In what sense, then, are living systems machines?

A machine is defined by a group of abstract operations, satisfying certain specific conditions. An abstract machine is this system of inter-relations which is itself independent of the actual components which ‘realize’ the machine. A fishing boat can be made from many kinds of wood, sailed on many bodies of water, used to store many species of fish; a game of tag can be played with an arbitrary number of arbitrary people in any suitable space. What matters is not the specificity of a given component but the specificity of its relationships. We can define living systems as specific groups of components and their inter-relations, according to both abstract structure and specific functionalities. But insofar as we are only considering their structure, living beings are isomorphic to collections of finite groups of abstract machines: biology considers micro- and macro-structure, whereas systems theory studies inter- and intra-relations.
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culture, difference, God, grammar, human, labor, literature, Nietzsche, Politics, power, text, theory, will to power

The Power to Will: Nietzsche and Becoming Free

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Reaching Out

The will to power is not essentially political; it aims beyond politics towards a more subtle possession. The will to power is articulated as a higher expression of the will to live, as opposed to the will to survive. It is the will to exercise power. Its primary function is to be functional, that is: dynamic, active and creative. This kind of willing indicates not a static ideal will rather an energetic, even libidinal force to overcome, to dominate one’s environment as well as to exploit and control others. Importantly, the will to power does not function as some kind of pure essence of vitality, even less an aesthetic ‘taste’ or ethical harmony.

Rather, it is struggle itself, the will to raise oneself up, out joyfully from nothingness, into higher and more rarefied regions of becoming. It is not a duty, but a desire to feel energy being actively employed; it is the surging of this power itself. It aims to transcend but is not itself therefore transcendent; rather, the will to power is material, and always more concrete, more real than we are comfortable admitting. The will to power is our desire to possess, to exploit, to dominate, to control. Hence the primary articulation of the will to power is as a singular thrust rather than a multiplicity of drives. Though clearly each will struggles against every other, ultimately every will struggles against itself, operates upon itself, upon its own form or nature in order to improve itself, to overcome.
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