acceleration, complexity, exchange, laughter, network, relation

Between Planes


Relata. Noise (always-already virtually present) vibrates, and only indicates in becoming-channeled. Primary indication is extinction, dis-embodiment (subject), dis-articulated (sign), dis-simulated (situation). Immediate indicia; omen or axiom? –At any rate the percept and the affect are in a troubled relation. We attempt to attune a machine to this relationality; its speed approaches infinity asymptotically; it is exologically “determinative” insofar as:

Continue reading

channel, communication, flux, idea, knowledge, machine, network, system





The essence of a channel is to transmit, to disseminate, to yield a flux. The problem of knowledge is correlative to constructing an adequate channel for the reception of an idea, the “proper medium” for a thoughts’ proliferation. Expressed in this way the “idea” is only an ideal problem, which in reality takes on an unsettling and radical complexity. The pure and implacable universality of the idea gives way to the realization of the innumerable fissures and leaks comprising the real — and quite organic — larval origin of thought. 

A kind of thought which, to be sure, still does not issue from myself, and which is neither memory nor imagination, but is rather a thought which breaks through, which traverses me. Hence the universal is always shot through with contingency, a pure implacability which rests precisely upon history, upon the conquering, the decimation of nomad flows indecently refusing to conform. The drive to systematically master desire, for a generalized and radical constructivism, the subtle and uncanny “inner” dynamism of our age, is bent upon a wholesale transformation of the fundamental essence of humanity. 

The breakdown of this machine, this doom upon the universal, is perhaps capable of reproducing itself virally — even as a snapshot of an image of thought in the very process of decomposing (and in relation to which all philosophical gestures seem but supplications, and — so much more rarely — vindications.)

A new medium always is, it must be, painstaking crafted: for once forged, a channel exists only the precondition of a flow, and even upon the continuity of the flux. 

I want to think the concrete peculiarity, the absolute singularity of any channel as such. The continuous flow of water through the machinery of a dam, of a pipe; the unending drift of signals across our always-on global information networks. 

The channel faces every military risk imaginable: takeover, subversion, blockade. But it also faces every theoretical risk imaginable: hyper-specialization, perversion, madness.

Yet the truth is that a channel is only and always a meta-channel, an assemblage, a channeling machine blending very different channels together, and which itself forms a channel in relation to even greater such channels. Whether of water, cement, metal pipe, twisted cable or realized in the very trembling of air molecules, the channel compels us to turn towards what remains, what is not swept away by the flows.