aesthetics, communication, mathematics, technology

Obliquity

Nils Guadagnin, Hanging stone, 2014 Mousse polyuréthane, bois, électroaimant, 28 x 28 x 125 cm

Nils Guadagnin, Hanging stone, 2014
Mousse polyuréthane, bois, électroaimant, 28 x 28 x 125 cm

Demodulation. There is always a monadic resonance to which a repetition is coupled in order to form a motor or compose an operational line, assembling at the limit a free phylum of machine interconnectivity. Every machine an operator or operand of another functional aggregate, assigned to an eternal repetition of variability, sweeping out a transversal trajectory through a self-constructing milieu of heterogeneous forces. The abstract machine injects new consistencies into turbulence, extruding flowing lines of fusion and mixture or extracting curved planes of development and organization; filtering out novel functions, concepts or compositions, refactoring or creating in contact with an outside. But does the abstract machine not express mutability in another way — by extending and exponentiating the variadic series of genetic practices (art, science, philosophy…)? Decrypting the image of thought again, in a virtual torsion of equal depth and power — art, science, philosophy, x…? Yet again is it not also the shadow falling upon the modulation of knowledges, eclipsing every enclosed topology determining discursive territories or structuring disciplinary forms? An abstract machine is indeed the shadow of a people to come, of a cosmic science-art-philosophy; unleashing at least in its virtual potentiality a deimaged and meteoric creativity, with a future beyond the terrestrial continuum of variadic practices and discourses.

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assemblage, complexity, death, flux

Rivers

Jan Maarten Voskuil. "broken light blue", 2013, acrylics on linen, 120x90x10cm

Jan Maarten Voskuil. “broken light blue”, 2013, acrylics on linen, 120x90x10cm

The line of the river is a line of terraqueous flight; a flow flush with the substrate, conditioning and mutating its own channel, both wandering over the territory and slowly reconfiguring it, in a gradual mutation or decryption…

A river system is composed of intensive aqueous lines diffracted from a fusional substrate — a vorticial assembly of multiple planes of consistency in chaotic metastability.

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acceleration, corruption, disorder, growth, language, limit, organization

Remember

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A signal develops conditions suitable for conviviality of noisy lines, conjunction of colored planes, convergence of pure volumes. Development emerges encoded from the remotest and most alien depths of the sea. Chaos filtered: decrypted or machined.

Evolution or the pure differentiation of a life? From a crystalline substrate, from the earth to the navigation of the world. Analysis of stratigraphic zones and synthesis of degrees of proximity. Integration of the night, the indifferent — the universe.

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Organization overflows time. Death, or beginning without limit? Production or product? –But the simulacrum is mute. Enfolding infinity, life eclipses itself. The full body is annihilation. Every horizon collapses. Light dissolves. Time crumbles. Movement decelerates into imperceptibility. One becomes old. A word always turns to ashes; all books burn. Any duration elapses. Seas freeze. Channels fade into silence. Creation halts in the middle.

Between blindness and visionary dilation, the long winter of a dying cosmos. Spirit unfolds, converges with eternity; comes and goes. Everything is forgotten.

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desire, flux, globalism, guattari, machine, materialism, Politics

Guattari

 

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On Guattari. The first ecosopher has arisen — but how to read his writings? There is not a single answer, everyone disagrees. To read Guattari without Deleuze seems like violence to the polyphonous fury of their mutually-authored works; yet to read Deleuze and Guattari seems like according primacy to the philosopher, to the authority of philosophy over psychoanalysis — asserting the traditional prerogative of philosophy over science, with the usual absent-minded condescension, a perverse kind of triumphant naivete. Our new ecosopher shrinks into the background of the literary uproar he is unleashing.

 

The strange power of Guattari’s writings is such that his works are less collections than whirlwinds, less toolboxes than roaring vortexes one is apt to be drawn violently towards: to study Guattari is neither a coincidence nor an accident (for an English academic) but rather a symptom, even a political symptom. Perhaps simply an indication of the self-destructive desire inherent to global capitalism in which the dissemination  of essentially “anti-capitalist” literature is not simply allowed but in fact widely promoted — the faint glimmer of global Renaissance. But I think Guattari might remind us of something else.

 

Political struggle is more than a linguistic struggle, a struggle with texts and pure concepts. It is of course involved with these things, but even more than these signifying systems, political resistance connects with the a-signifying as well, an order of reality more primordial than human meaning, where the distinctions imposed upon reality by our signifying regimes are rendered irrelevant and secondary. Where the cosmos as a process of production becomes perceptible, where the inhuman asignifying order of reality emerges, we may perhaps catch a glimpse of the future dreamed by our first ecosopher.

 

To have to emphasize that the asignifying isn’t the insignificant, but the non-signifying, we realize that already, we have hit the white wall. Misunderstanding is a symptom both of the origin and the impossibility of meaning. The gap between us here is not simply an aspect of the mobile wall of obstacles Guattari has prepared for his students, but already of the even more intransigent obstacles of history, society, economy — in short, the entire political “problem” of desire. A history of desire is difficult yet not impossible, but it does not begin by asking what desire is, pretending some kind of perfect and external objective viewpoint.

 

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