activity, alterity, birth, break, darkness, event, evolution, individuation, matter, network, neurosis, sexuality, speech, transformation, world






The world is hollow. In-itself anything is precisely nothing. 

A thing exists positively only in the precise sense that it exhibits certain forces, that it forms connections or disjunctions with other things, or assemblages of things, in such and such a way. 

Moreover, is it not necessary that at some point in the process of any machine, there is something that may and must become reduced to a generic and redundant unit? 

It may indeed be said that the machine presents us with the most spectacular and dangerous breakthrough in all of history, a breakthrough written into our desires themselves.

Love is not a question of signals, but of production. Not words but noise. The word is hollow: in itself everything means precisely nothing. Yet no thought is ever without its heretical dimension, its strange and apocalyptic promise — the dangerous promise of possible knowledge. 

Not only does nothing “exist,” but it is the essence of existence itself, and so all knowledge is a kind of nothingness: a rigorous silence, a selective and critical passivity, a dangerous and misunderstood weakness. 

Truth is a parasite, we are infected: knowledge is never without this vertigo dimension of being self-imposed, like a sickness which you acquire simply by imagining it. 

I emphasize this point precisely because it is all too clearly understood by the creature within. and is it not so that when its roaring becomes imperceptible, we encounter an ancient silence, without limits? 

Yet everything begins in noise.

acceleration, anti-gravity, Bachelard, belief, brother, celerity, change, dream, dreams, feeling, flight, future, laughter, love, memory, reality, texture, Thought, transformation, truth, Uncategorized, world

Learning to Fly

Psychologists — and more especially philosophers — pay little attention to the play of miniature frequently introduced into fairy tales. In the eyes of the psychologist, the writer is merely amusing himself when he creates houses that can be set on a pea. But this is a basic absurdity that places the tale on a level with the merest fantasy. And fantasy precludes the writer from entering, really, into the domain of the fantastic. Indeed he himself, when he develops his facile inventions, often quite ponderously, would appear not to believe in a psychological reality that corresponds to these miniature features. He lacks that little particle of dream which could be handed on from writer to reader. To make others believe, we must believe ourselves.
Gaston Bachelard, The Poetics of Space, “Miniature”

The tiniest things are the greatest secrets: focus in on the details, a world, an individual, truth emerges. Love is clarified silence. In the mysterious simplicity of vision, truth escapes and enters being in the very same movement — which is not split in simply two directions, but rather fractured from end to beginning into a billion microscopic fragments of light. Become a prism. What we see is not what is apparent, but rather caused by it. So stop looking — and see. Sensory reality is overwhelmingly powerful, so overwhelmingly convincing it easily tempts us into becoming its willing hostage. But it is no more real than your dreams. What makes us afraid to really trust in sense itself, the reality of our dreams and the dreaming of reality, is the invisible presence of the “enemy.” What we are generally unaware of is that this “enemy” is in fact, our most intimate friend — even a twin brother. Because there are no distinctions when anything is properly distinguished. Infinity is nothing at all, an image of thought: a paradoxical dream that everything is and can be one, and that one is and can be everything. Because we are finally no longer pinned down by the old evaluations, we are free to become anything. We have at long last conquered that ancient negation of laughter which is only now really beginning to lose its sting. We are slowly, so slowly remembering it was we who gave words their weight in the first place. We have remembered that feeling is enough to transform the world — not because it changes what the world is — but because it changes what the world can be. We have remembered that a law of celerity is needed to supplement the law of gravity. We have rediscovered the absurd truth, that the tiniest “push” is all that is required to fly. The transformation of reality is also the transformation of dreams. All that is required — is to do it. Make it shift. Go ahead, give it a try. There are no causes, no effects, only lines of acceleration producing textures — light and sound. So create, invent, experiment! And don’t forget: the future is history. Remember before.

algebra, complexity, decay, diagnosis, ethics, insanity, language, literature, machine, mathematics, Nietzsche, Politics, prejudice, psychoanalysis, schizophrenia, Science / Mathematics / Technology, society, structure, transformation, truth, unconscious

Cyborg Nietzsche: Conscience, Affect, Transvaluation

Part One: Criticism and Untruth-Machines

A. Neurosis and Transcendence: the Algebra of Bad Conscience

We are healed of a suffering only by experiencing it in full.  Marcel Proust

For Nietzsche, uncovering the peculiar logic of the unconscious, revealing the function of this or that unobserved striving, would only form part of the analysts’ role. A rich, analytic transformation of the real space of mental (political) activity is the full meaning of diagnostic criticism. Any real diagnosis contains a hard criticism of declining mental (social) habits. Criticism moves towards a healthier biopolitics. Diagnosis isolates cycles, reaction-patterns, irresponsible and neurotic aspects of mental and social processes.

This selective isolation, the method of genealogical deconstruction may seem purely negative and critical; and indeed, it amounts to a profound negation of conventional modes of thinking and feeling. But there is also always a powerfully positive sense of diagnosis: to indicate and affirm the pathways which return us to health, which unhinge our bodies from habit, which bring us to a new earth.
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becoming, birth, composition, expression, mathematics, music, Nietzsche, resonance, rhythm, sensitivity, space, transformation

Rhythm, Expression, Transformation: Music and Nietzsche

(Image by Hectik,

In music the passions enjoy themselves.
Friedrich Nietzsche

In early 1872, the same year The Birth of Tragedy was published, Nietzsche delivered a series of lectures entitled “An Investigation into Rhythm and Meter.” (The lecture which interests me, “Toward a Theory of Quantified Rhythm,” appears to still be untranslated!)

Music is at the heart of Nietzsche’s effort. In a very important sense, without a musical ear, his work cannot be understood. Music is his framework. Not only that he writes in arpeggios, but that his thought is arpeggiated; to make sense or value from his work, we must hear it performed; that is, we must realize through ourselves all the properly musical moments of discord and accord in his thought, all the contradictions and harmonies which resonate not only through his critique but also through his concepts.

The moment of accord between morality and genealogy (or discord between truth and science) must be felt; they cannot be simply understood. His account of the origin of morality, for example, only seems not to be completely rational for the reason that it is perfectly and even sublimely rational; it is in fact a mathematical argument! Just as the infinite overflows reason, Nietzsche’s style, his thoughts and ideas, must be heard and felt, not only read but performed. His voice must become as a pulsation or rhythm seizing us; or else it remains, merely a contradiction, merely a static critique.
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architecture, health, love, multiplicity, noise, Politics, reason, space, transformation, voice

Tunnels and Voices: Love and the Cultural Architectonic of Space

(Ken Garduno)

We were a silent, hidden thought in the folds of oblivion; and we have become a voice that causes the heavens to tremble.
(Kahlil Gibran)

Love is the voice under all silences, the hope which has no opposite in fear; the strength so strong mere force is feebleness: the truth more first than sun, more last than star…
(E. E. Cummings)

The voice — what an unnatural and traumatic element! It is the theoretically irreconcilable, the ever-ambivalent (a voice is never univocal.) It is an everted organic flow, a living sonority: the voice is the elemental flow exchanged through the logic and the architecture of social arrangement. But the really critical question is the architecture of spaces: how are the tunnels and pathways through which the voice flows formed? How do we ‘build’ these vacuoles, tubules, these micro-vortices?

In brief, our question is: how are subjectivities produced which are able to listen, which can become points in a signal-sign network? Where does this noise-filled tunnel lead, where else but somewhere within, somewhere between? The voice comes from inner space, between the tribe, a virtual univocal space that becomes individual, becomes a part-object; or rather, the individual, the voice-machine, rises up only against the tribe, in pitched battle against its calming background-noise and static ritornelles. The tribe reacts against the jagged neologism, this unsanctioned activity of deviational intuition, the echoic profanation; the word which cannot be integrated becomes a war, it is the spark which flies between disparate spaces, presaging millennia of arguments, violence and bloodshed.
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