All posts filed under: resonance

Arpeggio

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birth / creation / difference / glare / outline / parasite / religion / resonance / signal / silence / singularity

We are not one, but two. Dimorphs, in between, always escaping the fold and the unfold, running off madly in both directions. We are more viral — composed of parasites, miniature bodies without organs — than we are “hominid,” more “dead” than alive. The origin of religion is the veil, the simplest tomb: the meaning of birth is not death but exposure, a novel opening into what admits of nothing but pure exchange. The two […]

Vessels

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art / becoming / dimension / encounter / experiment / force / molecule / resonance / time / variable / vortex

The charm of history and its enigmatic lesson consist in the fact that, from age to age, nothing changes and yet everything is completely different. (Aldous Huxley) Through saturation an artist brings all the diverse elements of experience into a real interfusion, an affirmative disjunction. The artist opens passageways, a vessel for engendering a pure becoming. An encounter with an outside, presenting a pure force which art can only express — art as transistor, as […]

Affectivity, or What is an Event?

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affect / becoming / body / celerity / cosmos / double / event / freud / God / gravity / Interpretation / liberation / machine / model / outside / resonance

Events are volcanic. The event opens upon an outside, a beyond, a resonant and enigmatic depth. Events move the world, releasing free and untamed vibrations within and without us. They place being into relation with exteriority. But how does evental resonance work? When the new breaks free it is almost like it suddenly becomes “permitted” to us to learn to see all over again. Perhaps it would be better to say: we are allowed to […]

Rhythm, Expression, Transformation: Music and Nietzsche

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becoming / birth / composition / expression / mathematics / music / Nietzsche / resonance / rhythm / sensitivity / space / transformation

(Image by Hectik, http://www.hectik.com/) In music the passions enjoy themselves. Friedrich Nietzsche In early 1872, the same year The Birth of Tragedy was published, Nietzsche delivered a series of lectures entitled “An Investigation into Rhythm and Meter.” (The lecture which interests me, “Toward a Theory of Quantified Rhythm,” appears to still be untranslated!) Music is at the heart of Nietzsche’s effort. In a very important sense, without a musical ear, his work cannot be understood. […]