Eternal Return, Nietzsche, women

Woman

Valentin Bazarov, Flowers

I mean to say that the world is full of beautiful things but nevertheless poor, very poor when it comes to beautiful moments and unveilings of these things. But perhaps this is the powerful magic of life: it is covered by a veil interwoven with gold, a veil of beautiful possibilities, sparkling with promise, resistance, bashfulness, mockery, pity, and seduction. Yes, life is a woman.

Friedrich Nietzsche

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chaos, complexity, Cosmogony, Cosmology, Distribution, Eternal Return, French Translation, kant, Laplace, michel serres, Nietzsche, philosophy of science, system, Untranslated Theory

Translation: Michel Serres and the Eternal Return

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The following is Michel Serres’s essay “Eternal Return” in Hermes IV: Distribution. Paris: Les Editions de Minuit, 1977. pp. 115-124. Original translation by Taylor Adkins on 10/10/07

Philosophers glorify Nietzsche for having suddenly rejoined the Greeks through their fulgurating intuition of the Eternal Return. Either from an ignorance of ethics or incomprehension of the general figure that this thesis takes in his philosophy, I reduce this to a vision of the world. Vision with the meaning of sight, and world with the sense of the world. All simply.

If time is considered in geometrical figures by optical interceptions and a mechanism of movements, the Eternal Return is cosmological. In that case, the solar system (and it only) has been calculated by Laplace. Celestial Mechanics and the Exposition of the System of the World established rigorously, for the first time, the mechanical invariability of the large axes for the planetary orbits. The stars turn forever. This eternal return reduces the world to the exclusion of the universe, and reduces mechanism to the exclusion of other sciences. Neither the Greeks nor the classical age ever obtained this demonstration. Conversely, the time that we consider is reversible.

If the time that one endorses is that of a formation, of bodies as spheres, and with which one tries to surpass mechanical reversibility, then, if there is return, it is cosmogonic. However, cosmogony enters science little by little around the middle of the 18th century, with Thomas Wright and Buffon. If Laplace has erased the latter in the seventh note of the Exposition, the former has inspired Kant. Natural History and the Theory of the Sky marks the appearance of the Eternal Return in scientific cosmogony.

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diacritics, dialectics, Eternal Return, French Translation, method, Nietzsche, Nietzsche aujourd'hui, nihilism, ontology, Pierre Boudot, Zarathustra

Translation: The Dia-critical Method: Pierre Boudot’s Method of Reading Zarathustra

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Boudot, Pierre. “La méthode dia-critique: une méthode de lecture de Zarathoustra.” Nietzsche aujourd’hui (2 vols.). Pierre Boudot et. alia. Publications du centre culturel de Cérisy-a-Salle (Paris: UGE, 1973),vol. 1, pp. 371-383. Translated by Taylor Adkins [9/07].

The following is my translation of Pierre Boudot’s essay. The discussion following his essay in the Nietzsche aujourd’hui volume will also be translated at a later date with commentary.

At each moment of his thought, Nietzsche reactivates the reasons why he is Nietzsche, and pushes a little further, a little farther away, the fundamental concepts of his thought, while varying (almost without his knowledge) the contents in combination with the problems that occupy them. The basic Nietzschean concepts do not have the same direction according to whether one makes use of them to interpret The Birth of Tragedy or Human, All Too Human or to explain their specific sense. Thus any interrogation on Nietzsche must see whether these are concepts that vary by successive implicit definitions or if they alternate when words, apparently identical as for their phonemes, push in front of them a reality which deviates differently because it is transformed from the inside by the basic themes that Nietzsche himself proposes. If the basic concepts vary, it is in order to commit a series of misunderstandings which employ them according to the innovation of the automatically corresponding problem and clearly to the innovation of words which however would be pronounced and heard in the same way: eternal return, overman, nihilism, revaluation of values, will to power.
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aesthetics, culture, Eternal Return, Human All Too Human, Nietzsche, religion, Science / Mathematics / Technology, universal politics

‘A Chain of Necessary Rings of Culture': Nietzsche and the Ability of Science


In sections 4 and 5 of Human All Too Human, Nietzsche develops a non-linear train of thought that attempts to analyze and reconstruct the experiences and concepts of religion, art and science. There are developmental factors and connections among these three, for “art raises its head when religion relaxes its hold,” and the “scientific man is the further evolution of the artistic” (150; 223). Poets, for example, construct bridges to distant ages and dying religions, creating metaphysical alleviations that only serve to quell the truly revolutionary energy flowing beneath the surface of the social body (148). Continue reading

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