All posts filed under: escape


Leave a comment
catastrophe / creation / escape / literature / micropolitics

Some inchoate thoughts on curvilinear transition and navigation between radically alien milieus. Schoenberg : Xenakis :: Joyce : Negarestani Cyclonopedia comprises a downward spiral into hyperstitional collapse or crack-up, alongside an outward spiral towards another universe. It may seem to perversely unfold a nightmare crypt of the death-drive, but this monstrous theoretical depersonalization is operating through the harshest singularities of space and time; it resounds in the howling of the magnetosphere, and echoes the cries of […]


comments 6
assemblage / becoming / code / differentiation / disorder / escape / grammar / heresy / language / Nietzsche / structure / virus

Hypermediation. What is a statement? But the problem is already determining the singular projection of the statement onto life: both to identify the variously formed matters contained within it, with each of their constituent speeds and trajectories; but also the strata which capture and isolate (or ramify and merge) these intensities through one another. A statement is attached to productive networks which run throughout society; it is an auto-projection of the truth of society onto […]


comments 5
aesthetics / beauty / escape / God / kant / psychoanalysis

A man like Kant can explain the beautiful in terms of a pure disinterested pleasure — such a knotted definition is not in itself surprising, nor is the kind of cynicism about the potential and limitations of life which is quite effectively communicated thereby. What is curious is that he in fact means to enhance the importance of artistic creation by converting the unsettling power of the artist into a kind of channel to a […]


comment 1
critique / decision / escape / gravity / health / language / love / metaphysics / modern / order / outside / parasite

If a person never contradicts himself, it must be that he says nothing. Miguel de Unamumo Modernity is a mass exhumation, plunging multiple, trembling, accelerating tunnels into the depths of affectivity. An ambiguous anticipation of this pure positivity can be paradoxically grasped already in the very grayness, finality, boredom and gravity of the classical categories of knowledge. For the consistency of the subject in the classical sense is metaphysical, sublime, hidden, like a secret promise. […]