automation, becoming, difference, event, Hermes, noise, ontology

Sorcery

Sorcery. What is the limit of what a noise can do? A certain noise means extinction for almost all regimes — not only of signs; it is an explosion of intensity or desire which renders the channel inert, background. Semiotosis. Sonority refusing to yield a signal: noise induces a traversal of infinite depths which bursts the strata into pieces, rupturing the semiotic-discursive chains. Noise is also a pure becoming, the becoming-sonorous of an incorporeal field of virtuality. The elements of one or several assemblages are caused to pass into one another, initiating “unnatural” pairings. Noise is the friction, resistance of the assemblage against itself; it always already struggles with a tendency or power which means to control the channel and recode the outburst. The becoming-musical of noise is another development of this problem and involves inducing vorticial structures — establishing rhythms to respond to chaos, refrains to respond to the finitude of the strata. This is perhaps why music introduces us forcefully and as it were intimately to sorcery, direct contact with the Outside, and the annihilation of the judgment of God; refrains and rhythms awaken nomads and their warmachines.

Sorcery is an applied ontology of the depths, the extrusion of a probehead into the sub-depths of being — what passes beneath ontology, what escapes the functionalization-reduction of existentiality; it is thus an empirical investigation into what drives the apparently ‘natural’ deployments of political, legal, scientific, and mathematical hegemonies. Sorcery discovers beneath signs-particles a vorticial and monstrous “recursive” depth; it finds the cosmos inverted: the symbol is determined as that which the depths resist in favor of free expressivities, even as they are witnessed to spontaneously generate free sign-particles, ions of deterritorialization traversing the full body at infinite speeds and creating whirlwinds of reterritorializations in their wake. War machines and becomings are always already threatening to overtake the territory, to overcode the channel; there is always a more powerful molar regime threatening to interrupt our tiny molecular flow. The question of the line of flight and its attendant risks must be understood in both the military and theoretical sense simultaneously; becoming one or several lines means taking on nearly every risk imaginable. The problem involved in desire is machinic, a problem with the non-relation between the signal and the channel: alien everywhere, a nomad is a becoming-deterritorialized, an escaping and an escapedness-from-being into the depths or heights, and is precisely the differential element of two systems which cannot contain their elements. The parasite stands at the borderline between thought and being, permitting a cross-signaling across the infinite gap — activating the components of passage which permit a becoming or involution.

Sorcery discovers the noise and frenzy at the heart of the body — the parasitic-bacterial character which dominates terrestrial biota — and diagnoses the illnesses afflicting the full body, determines the resistant qualities of power to illnesses of various kinds. The sorcerer is the first empiricist in this sense — and the sorcerers’ secret (or dream?) has been to “watch only the movements,” to soberly identify components of passage; he is involved with measuring speeds, establishing coordinates on the plane of immanence. Nevertheless and perhaps uncannily it is also precisely this pure or ‘total’ empiricism which generates a transcendental coherence capable of acting as a relay for radically external powers. The full body resists parasitization by the desiring machines; its original state is blank, like the dancer’s pose and her grace; a potentiality which refuses to yield to possibility, merging desire upon desire into a sublime awakening into blindness. Sorcery is metabiological, metacivilizational — a matter of complicity with the anonymous. The full body is smooth, the surface protected from the violent probeheads of the desiring machines; and yet there are schisms — indeterminate zones where enough force can induce a breaking point, permit an encounter with the outside, which must still pass through a certain barrier. An attempted involution or passage cannot be determined in advance, the trajectory is essentially unpredictable; whether it will be a breakdown or a breakthrough cannot be known. First principle of caution.

A sign-particle erupts from a refrain, from the nomad, from any ‘static’ wave of deterritorialization; even animals, molecules, the stars emit these tiny singularities that correspond without imitation to the constellations of becomings that traverse music, poetry, literature, painting. This molecular dimension of becoming is precisely the noisy determination of universal history, its contingency or continuous torsion into the asignifying; and it is through becoming-molecular that the operations by which sorcery ruptures the barriers of time become conceivable. The movement of the flows of desire correspond to existential coordinates, conditions of becoming of incorporeal virtualities — abstract machines. The vorticial or warmachine-like organizations of the semiotic, computational, financial, ecological, philosophical and sociodemocratic planes of development indicate the intervention of another order entirely — an abstract war machine driving the assemblage into a singularity.

The internet is a terrifying semiotic war machine, even a plane of development for warmachines. It is increasingly clear the parasitic-hegemonic dimensions of globally-connected communication/computation networks, integrated deeply into social life, may very well pass unrecognized until it is far too late. The critical question involves the rate of development of signifying regimes — the extraordinary pace of interaction between elements of the contemporary infosphere permit the collective enunciation not only of particular phrases or images but complex assemblages involving components of expression, partial forms, passage. Becomings sonorous, visual and hypertextual are relentlessly synthesized to construct ever more powerful singularities and vortexes, to ostensibly utilize in an apparatus of capture — but on behalf of whom?

Second principle of caution. Becomings do not come cheap, and involve pacts with radically external or extra-cosmic Powers. Here be demons. Memories/becomings-x involve metamorphosis, mutation, molecular revolution: relationships of movement and rest, accelerations and decelerations are taken to their immanent limits. The dangers are numerous and grave, especially those special dangers for artists and writers (the suicidal trajectories that are inevitable for every line of flight.) Of particular concern in the context of precaution is the issue of deviation, which sometimes means decay and degeneration; a becoming does not always yield a higher, “rarer” type. You cannot know, a heuristic principle of caution: noisy becomings are inherently beyond the grasp of ontological determination. They convoke the involution of unrelated assemblages, spontaneously interchange components and molecular flows, initiate a generalized decoupling of the perceptual, semiotic and affective-desiring orders. We cannot know in advance the sense or consequence of the becomings traversing the smooth spaces of our experiments. A becoming indicates an ulterior dimension to being itself: molecular, spiritual and natural forces emerge from beyond the psyche, beyond the cosmos — memory demands an encounter with a radical outside. The only rule is to be cautious in experimentation: to exercise a calculating prudence in response to the movement of the signifier across the chill black depths of infinite space.

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becoming, event, interconnection, language, philosophy, Politics, self-organization, society

Occupy Theory!

The 99% movement sweeping the globe is indeed something new under the sun. Little molecular revolutions, the occupations are rhizomes; in this clear revolt against neoliberal “realism” who does not see the spirit of sixty-eight, dormant for a long winter of four decades, awakening once more?

Thinkers have not only the opportunity but in many ways a profound obligation to help focus and organize the will of the people, to help inspire and to amplify revolutionary reflection and affect.

While the medium of thinking is primarily writing, nevertheless theory can help crystalize and push complex systems towards transformation — towards becoming-something-else. This transformation need not, as some might have it, be specified entirely in advance; indeed, such a specification is perhaps impossible.

The self-regulated emergence or becoming of the people’s voice through the consensual decision-making mechanism of general assembly, the thunderous roar of the people’s mic, are things that philosophy should not simply note, or even sit back and interpret, but actively encourage and assist.
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capitalism, concept, desire, difference, event, language, parasite, problem

Noises

 

Mark Rothko

 

Non-expression. Speaking is a donation of words; but in this donation is dramatized an idea of alterity, an uncanny and infinite Power mysteriously unleashed, and this by a seemingly peaceful sharing of signs. 

Is it possible? Ten thousand years of speaking, and still we are waiting for a sign.

Problems. We owe to Deleuze the discovery that the difficulty of a problem is not simply the number of differential elements it assembles within a single ideal situation, but rather the process of problematization of an element or elements which somehow causes the contents of the problem to problematize the very situation itself. This marks  a radical becoming-social of problematics — or if you like, the becoming-event of the concept (becoming-problem.) Yet does it not seem as though this method is still profoundly Lacanian somehow, as though the real is being implicitly understood as a strange hyper-real gap between Difference and itself — mysteriously and paradoxically allowing a differentiation to differenciate itself infinitely, suspending both the emotional-organic ontology of desiring-repression as well as the mechanical logic that underlies materialism, allowing thought to move at infinite speed on a hyperplane of immanence — ripping a hole through the symbolic networks, allowing the transpiercing and reprogramming of the assemblage by the outside? The difficulty remains even if we understand the practice of militant problematization or counter-actualization to be a process of differentiating problematic or ‘insurgent’ elements of the situational social assemblage with respect to their capacity for transformation.

A certain noise is all it takes. Parasites can indeed be shaken off and immediately so; but they are chased out only by a greater noise, by the willing invitation of still more powerful parasites. –So at least there are specific cries which are anathema to a given variety of parasite: the roaring of their host-cum-predators. Of collective liberation.

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activity, alterity, birth, break, darkness, event, evolution, individuation, matter, network, neurosis, sexuality, speech, transformation, world

Transparency

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The world is hollow. In-itself anything is precisely nothing. 

A thing exists positively only in the precise sense that it exhibits certain forces, that it forms connections or disjunctions with other things, or assemblages of things, in such and such a way. 

Moreover, is it not necessary that at some point in the process of any machine, there is something that may and must become reduced to a generic and redundant unit? 

It may indeed be said that the machine presents us with the most spectacular and dangerous breakthrough in all of history, a breakthrough written into our desires themselves.

Love is not a question of signals, but of production. Not words but noise. The word is hollow: in itself everything means precisely nothing. Yet no thought is ever without its heretical dimension, its strange and apocalyptic promise — the dangerous promise of possible knowledge. 

Not only does nothing “exist,” but it is the essence of existence itself, and so all knowledge is a kind of nothingness: a rigorous silence, a selective and critical passivity, a dangerous and misunderstood weakness. 

Truth is a parasite, we are infected: knowledge is never without this vertigo dimension of being self-imposed, like a sickness which you acquire simply by imagining it. 

I emphasize this point precisely because it is all too clearly understood by the creature within. and is it not so that when its roaring becomes imperceptible, we encounter an ancient silence, without limits? 

Yet everything begins in noise.

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consciousness, disaster, event, fantasy, intensity, power, recognition, wager

Trajectory

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A series of imminent and necessary breakdowns are inherent to the production of desire: first, because desires connect up to an outside, with something which is always unrecognized, which is totally foreign; next, because desire is brought to turn upon itself, it is seduced into betrayal (by resentment, fear, hate, etc.); finally, because desires are always collective, but the individual makes these collective desire their own, digests and reintegrates them. In each case, there is a kind of fundamental deadlock to any investigation of the unconscious which reflects the essential paradox of psychoanalysis.

We risk not only our feelings and thoughts but even ourselves as beings entirely: the risk of losing not just our habits, our beliefs and our identities, but the very significance, the subjectivity, of our reality. Everything becomes a trajectory, a cosmic machine, a universal process of production. A becoming-nothing which is the essence of consciousness: and in the end will we know which it is — a disease or an experiment? –But what do we matter? For alienation is becoming a stranger; not trading places with a double, nor a diagnosis, but rather this mis-recognition of an alien consciousness always already present within enjoyment, within our desire itself.

 

The Disaster, the Event, Difference — this is what is always recognized but never known; or rather, you don’t know, you will never know whether this alterity is truly radical or not. We must make a certain wager in order to discover the real, to know our desire, to learn anything at all about ourselves. It is not a question of imitation, but of pure intensities, of movements and singularities and flows. There is always a risk involved in a becoming, a risk which is always recognized and never known to us — a displacement of essence internal to becoming, an infinite capacity which transfigures reality.

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actualization, event, future, moment

Phantasm

 

Why is every event a kind of plague, war, wound or death? Is this simply to say that there are more unfortunate than fortunate events? No, this is not the case since the question here is about the double structure of every event. With every event, there is indeed the present moment of its actualization, the moment in which the event is embodied in a state of affairs, an individual, or a person, the moment we designate by saying “here, the moment has come.” The future and the past of the event are evaluated only with respect to this definitive present, and from the point of view which embodies it. But on the other hand, there is the future and the past of the event considered in itself, sidestepping each present, being free of the limitations of a state of affairs, impersonal and pre-individual, neutral, neither general nor particular, eventum tantum… It has no other present than that of the mobile instant which represents it, always divided into past-future, and forming what must be called the counter-actualization.

…It is at this mobile and precise point, where all events gather together in one that transmutation happens: this is the point at which death turns against death; where dying is no longer the negation of death, and the impersonality of dying no longer indicates only the moment when I disappear outside of myself, but rather the moment when death loses itself in itself, and also the figure which the most singular life takes on in order to substitute itself for me.

Deleuze, Logic of Sense 151-3

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being, blanchot, ethics, event, exteriority, future, gleam, Hegel, history, infinity, judgment, levinas, peace, Politics, totality, vision

Notes on Totality and Infinity

Does objectivity, whose harshness and universal power is revealed in war, provide the unique and primordial form in which Being, when it is distinguished from image, dream and subjective abstraction, imposes itself on consciousness? Is the apprehension of an object equivalent to the very moment in which the bonds with truth are woven?

Levinas

I will not say that the disaster is absolute; on the contrary, it disorients the absolute. It comes and goes, errant disarray, and yet with the imperceptible but intense suddenness of the outside, as an irresistible or unforeseen resolve which would come to us from beyond the confines of decision.

Blanchot, The Writing of the Disaster

Levinas begins the preface to Totality and Infinity by asking whether war is not the most serious objection to the lucidity — the sanity — of ethics. For war robs our institutions and obligations of their eternity; it is the concrete suspension of the ethical. In war morality vanishes. The violence of war does not only affect us as the most real, the most palpable fact, but as the very truth of the real. Thus it is not just one of the ordeals morality lives. War renders morality derisory, rescinding its imperatives for the interim. Politics, winning at any cost, is enjoined as the very exercise of reason itself — opposing itself to morality as philosophy to naivete.

Fragments of Heraclitus are unnecessary to show that being reveals itself as war to philosophical thought. Reality rends the words that dissimulate it. War is produced as the pure experience of being, cracking the veils which covered its nudity. The ontological event of war is mobilization, a casting-into-motion of beings once anchored in identity. The trial by force is the test of the real. Yet the violence of war does not consist so much in injuring and annihilating people, but in interrupting their continuity — forcing them to play roles in which they can no longer recognize themselves.

People are made to betray not only commitments but their own substance, and made to carry out actions that destroy every possibility for action. “Not only modern war but every war employs arms that turn against those who wield them.” War produces and establishes an order from which nothing and no one can keep their distance. Nothing remains outside. War does not manifest exteriority, the other as other; it destroys the identity of the same. The vision of being glimpsed in war is “totality,” a vision-in-one which dominates Western philosophy.

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